Chinese American students plotting an art heist made me think of the Beijing 2022 Olympic diaspora geopolitics.
I should start off with an apology to Grace D. Li, the author of Portrait of a Thief. Her upcoming debut novel, out this April, didn’t ask to be over-analyzed by a book blogger with too many thoughts and too little education, but that’s what the internet is for. Portrait of a Thief is one of the new books from Tiny Reparations Books, the publishing imprint under Penguin Random House founded by comedian Phoebe Robinson. Pitched as a modern and flashy art heist, “Ocean’s Eleven meets The Farewell,” and it already has a bit of buzz, including a Netflix deal. I really enjoyed reading it; I’m excited to recommend it to anyone who walks in the store and I already have thoughts on who Netflix should cast (Mark Tuan as Will Chen, please!) That said, I read it throughout the Beijing 2022 Winter Olympics and kept noticing similar themes, intentional or not, that complicated both representations of what it means to be Chinese.
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